The Social History of Art, Volume 1Vintage Books, 1951 - Art |
Contents
MAGIC AND NATURALISM | 3 |
ANIMISM AND GEOMETRISM | 12 |
THE ARTIST AS MAGICIAN AND PRIEST ART AS | 21 |
Copyright | |
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abstract Aeschylus aesthetic already ancient Ancient-Oriental archaic aristocracy artistic become bourgeois bourgeoisie Byzantine art Carolingian art century chansons de geste character Charlemagne chivalric Christian art Church classical antiquity completely conception of art court courtly culture early Christian early Middle Ages Egyptian elements epic Euripides expression fact feudal figures formal forms frontality geometric style Gothic Gothic art Greek H. M. CHADWICK hand Hellenistic heroic lay Ibid idea ideal individual influence intellectual kalokagathia kings knights Kunst labour later less literature longer lyric magic means medieval ment merely middle class migration period mime Minnesangs minstrel modern monasteries monastic monks naturalistic nature Neolithic nobility noble origin outlook painters painting Palaeolithic peasant period picture poems poet poetry popular portraits primitive principle production purely reality relationship religious representation Romanesque art sculpture secular sense singer social society songs Sophocles spiritual tion tradition troubadour upper class urban whole workshops