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Review: The Expression of the Emotions in Man and Animals (Masters of Modern Science)User Review - Ferox - Goodreads
In which Darwin tries to categorise and explain the evolution of facial expressions and to demonstrate the similarity between human races and between them and other species. It seems odd that he was ... Read full review
affected Anatomy of Expression anger appearance Asa Gray associated astonishment backwards become blush brows canine canine tooth Captain Speedy cause chimpanzee closely corners crying Dhangar dilated doubt Duchenne Dyaks ears edit emotions erect especially excited extreme eyebrows eyelids face fear feel forehead frown furrows gestures glottis Gratiolet grief habit hair hands head Herbert Spencer infants inherited instance involuntary Kafirs lacrymal glands laughter Laura Bridgman likewise Malacca Malays manner ment mind monkeys mouth movements muscles round muscular system natural nerve-cells nerve-force nose nostrils oblique observed orbicular muscles pain persons photograph Physionomie platysma principle probably protruded races rage raised reflex action remarks retina round the eyes savage screaming secretion of tears seems seen sensation sensorium shoulders shrug side skin slight smile sometimes sounds strongly contracted suffering tail teeth terror tion upper lip utter various violent voluntarily weeping whilst wrinkled young Zoological Gardens
Page 242 - Once more unto the breach, dear friends, once more, Or close the wall up with our English dead ! In peace there's nothing so becomes a man As modest stillness and humility ; But when the blast of war blows in our ears, Then imitate the action of the tiger...
Page 291 - Fear came upon me and trembling, which made all my bones to shake. Then a spirit passed before my face; the hair of my flesh stood up: it stood still, but I could not discern the form thereof: an image was before mine eyes, there was silence, and I heard a voice saying, Shall mortal man be more just than God ? Shall a man be more pure than his Maker?
Page 50 - Now when a directly opposite state of mind is induced, there is a strong and involuntary tendency to the performance of movements of a directly opposite nature, though these are of no use ; and such movements are in some cases highly expressive.
Page 365 - Is it not monstrous, that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit, That, from her working, all his visage wann'd ; Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting With forms to his conceit ? And all for nothing ! For Hecuba ! What's Hecuba to him, or he to Hecuba, That he should weep for her...
Page 291 - As fear increases into an agony of terror, we behold, as under all violent emotions, diversified results. The heart beats wildly, or may fail to act and faintness ensue; there is a death-like pallor; the breathing is labored; the wings of the nostrils are widely dilated ; there is a gasping and convulsive motion of the lips, a tremor on the hollow cheek, a gulping and catching of the throat...
Page 290 - That the skin is much affected under the sense of great fear, we see in the marvelous and inexplicable manner in which perspiration immediately exudes from it. This exudation is all the more remarkable as the surface is then cold, and hence the term a ' cold sweat ; ' whereas the sudorific glands are properly excited into action when the surface is heated.
Page 291 - In thoughts from the visions of the night, When deep sleep falleth on men, Fear came upon me, and trembling, Which made all my bones to shake. Then a spirit passed before my face ; The hair of my flesh stood up : It stood still, but I could not discern the form thereof: An image was before mine eyes, There was silence, and I heard a voice...
Page 242 - O'erhang and jutty his confounded base, Swill'd with the wild and wasteful ocean. Now set the teeth and stretch the nostril wide, Hold hard the breath, and bend up every spirit To his full height...
Page 213 - In joy, the eyebrow is raised moderately, but without any angularity ; the forehead is smooth, the eye full, lively and sparkling; the nostril is moderately inflated, and a smile is on the lips. In all the exhilarating emotions, the eyebrow, the eyelids, the nostril and the angle of the mouth are raised. In the depressing passions it is the reverse.
Page 29 - When the sensorium is strongly excited nerve-force is generated in excess, and is transmitted in certain definite directions, depending on the connection of the nerve-cells and partly on habit ; or the supply of nerveforce may, as it appears, be interrupted.