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" ... the shadows in the light parts of a faint purple hue; at least they were so at first. That purple hue seems to be occasioned by blackish shadows under, and the colour scumbled over them. " I copied the Titian in the Colonna collection with white,... "
Materials for a History of Oil Painting - Page 231
by Sir Charles Lock Eastlake - 1869
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The Life of Sir Joshua Reynolds : Comprising Original Anecdotes of ..., Volume 1

James Northcote - Art - 1819 - 382 pages
...so by time than they were at first. " The Adonis of Titian, in the Colonna Palace, is dead coloured white, with the muscles marked bold: the second painting,...in the light parts of a faint purple hue; at least they were so-at first. Thwt purple hue seems to be occasioned by blackish shadows under, and the colour...
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The Lives of the Most Eminent British Painters and Sculptors, Volume 1

Allan Cunningham - 1832 - 324 pages
...broad, large manner, but finished like an enamel ; the shadows harmonize, and are lost in the ground. " The Adonis of Titian in the Colonna Palace is dead-coloured...with the muscles marked bold; the second painting has scumbled a light colour over it; the lights a mellow flesh-colour; the shadows in the light parts...
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The literary works of sir Joshua Reynolds. To which is prefixed a ..., Volume 1

sir Joshua Reynolds - 1835 - 726 pages
...so by time than they were at first. " The Adonis of Titian in the Colonna palace is tlead coloured white, with the muscles marked bold : the second painting...scumbled a light colour over it ; the lights a mellow flesh-colour; the shadows, in the light parts, of a faint purple hue ; at least they were so at tii...
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The Art of Painting in Oil, and in Fresco: Being a History of the Various ...

Jean-François-Léonor Mérimée - Mural painting and decoration - 1839 - 440 pages
...palace. The shadows are entirely lost in the ground, — perhaps more by time than they were at first. " The Adonis of Titian in the Colonna Palace is dead-coloured...painting he scumbled a light colour over it ; the light, a mellow flesh colour ; the shadows, in the lighter parts, of a faint purple hue — at least...
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The Family Library (Harper)., Volume 17

Child rearing - 1846 - 316 pages
...broad, large manner, but finished like an enamel ; the shadows harmonize, and are lost in the ground. " The Adonis of Titian in the Colonna Palace is dead-coloured...with the muscles marked bold; the second painting has scumbled a light colour over it ; the lights a mellow flesh-colour ; the shadows in the light parts...
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The Literary Works of Sir Joshua Reynolds: ... to which is ..., Volume 1

Sir Joshua Reynolds, Henry William Beechey, Thomas Gray, Charles-Alphonse Dufresnoy, William Mason - Aesthetics, Modern - 1852 - 518 pages
...more so by time than they were at first. " The Adonis of Titian in the Colonna palace is dead coloured white, with the muscles marked bold : the second painting...scumbled a light colour over it ; the lights a mellow flesh-colour ; the shadows, in the light parts, of a faint purple hue ; at least they were so at first....
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Great English Painters

Allan Cunningham - Artists - 1886 - 360 pages
...enamel ; the shadows harmonise, and are lost in the ground. " ' The Adonis ' of Titian in the Golonna Palace is dead-coloured white, with the muscles marked bold ; the second painting has scumbled a light colour over it ; the lights a mellow flesh-colour ; the shadows in the light parts...
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The Literary Works of Sir Joshua Reynolds ...: With a Memoir by ..., Volume 1

Sir Joshua Reynolds - Art - 1909 - 518 pages
...more so by time than they were at first. " The Adonis of Titian in the Colonna palace is dead coloured white, with the muscles marked bold : the second painting...the light parts, of a faint purple hue ; at least they were so at first. That purple hue seems to be occasioned by blackish shadows under*, and the colour...
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