Introduction to Music Appreciation: An Objective Approach to Listening |
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Contents
In the Rococo Period | 11 |
In the Modern Period | 17 |
Modern Soviet Composers | 24 |
Copyright | |
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Common terms and phrases
aesthetic ApelHD Arias ArveyCM ASPECTS OF MUSIC Bach Bach Ballet bass bassoon Beethoven Bourrée Brahms cadence called century Chopin chords chromatic chromatic scale ChuDE clarinet Classic Coda composer composition Concerto consonance and dissonance Copyright counterpoint dance Debussy diatonic dissonance double bass E-Flat example Fifth FinnHM Flute Fourth Fugue G Minor Gavotte Gigue half step Handel harmony Haydn Hindemith Homophonic horn instruments LangMWC listener London major McKin-AndMH melodic line melody Minuet Modulation motive movement Mozart NettlSDM Nonharmonic tones notes Oboe octave orchestra Overture Oxford University Press pedal percussion percussion instruments period phrase Piano pitch Polonaise polyphonic Prelude psychological Ravel rhythm rhythmic pattern Rondo SachsOMH Sarabande scale Schoenberg Schubert Second seventh Sonata soprano sound Strauss Stravinsky strings structure style Suite Symphony tempo theme Third Timpani tonal tone color tonic triads Trio Tschaikowsky UNIT variation vibration vibrato Viola Violin vocal voice W. W. Norton Wagner Waltz York