Music-cultures in Contact: Convergences and CollisionsMargaret J. Kartomi, Stephen Blum Examines music in contact situations in Andean Equador, Australia, the Central Balkans, Fiji, India, Java, Italy, Malasia etc. |
Contents
Functions of Sami Music | 9 |
Wedding Laments in North Russian Villages | 21 |
13 | 39 |
Copyright | |
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Music-cultures in Contact: Convergences and Collisions Margaret J. Kartomi,Stephen Blum Limited preview - 1994 |
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Albert Roussel areas audience Australian Babas bush band cai luong central classical Chinese classical music Comhaltas Ceoltóirí Éireann composers concerts Croatian culture contact đàn tranh dance music Delage developed eastern Ukraine ensembles ethnic Ethnomusicology European Example Festival film music folk music folk revival Folklore gamelan gendhing genres groups guru-shishya parampara Hindu Huê and tài Imdad Khan Indian music indigenous instruments interaction Irish Javanese jazz Karawitan Karnatic music lament language Madras Malay Malaysia Martopangrawit Maurice Delage meke melody movement music institutions music network music school musical culture musical practice Nguyên nineteenth century notation opera orchestra pitch played political popular music Prosvita raga recordings repertoire revival Roussel rural Sami School of Music Sindusawarno singers singing slendro social society songs Surakarta tài tu music tài tu musicians Tamil Tamilnadu teacher texts traditional music tunes Ukraine Ukrainian urban Văn Vietnam Vietnamese village vocal Western music yoik