Materials, methods & symbolism in the pichhvai painting tradition of Rajasthan
Explains pichhvais, the Indian cloth-paintings of religious significance. Step-by-step descriptions of the entire painting process from pigment preparation to burnishing. The method of making natural mineral colors presented for the first time. An important reference tool for art students and professionals.
91 pages matching painting tradition in this book
Results 1-3 of 91
What people are saying - Write a review
We haven't found any reviews in the usual places.
Methods of Painting and its Symbolism
Materials of Painting
1 other sections not shown
alchemical applied azurite base colour Bhagavata Purana burnished centre century chalk white cinnabar circle cloth colour filling complete craft danafarang dark darshana decoration deity Delhi dhumsa divine drawing earth Endnotes figure goguli gold leaf gold paint gopis Govardhan pichhvai green grinding gum arabic hair harabhata Hindu hinglu iconography indigo Jaipur jewellery kharia Krishna lapis lapis lazuli later lbid lndian lndra lotus Maharasa Lila pichhvai malachite Master Bannuji mercury metals method of preparation mineral miniature painting mixed Moghul mortar Mount Govardhan Mughal Painting myth Nathadwara orpiment outline painting tradition paper pencil Persian pichhvai painting pigment prataj prussian blue Pushtimarg Rajasthan ramraj ranga rasa Rasa Lila red lac represents round brush sacred senior craftsmen shade Shammi Shiva Shrinathji sindur squirrel-hair brush stone Studio practice surface symbol technique of painting Thangka Tibetan trace transparent wash tree ultramarine under-paint Vallabhacharya Varsha pichhvai yantra Zangal