The Romantic ManifestoIn this beautifully written and brilliantly reasoned book, Ayn Rand throws a new light on the nature of art and its purpose in human life. Once again Miss Rand eloquently demonstrates her refusal to let popular catchwords and conventional ideas stand between her and the truth as she has discovered it. The Romantic Manifesto takes its place beside The Fountainhead as one of the most important achievements of our time. |
Contents
Title Page Copyright Page Introduction | |
The PsychoEpistemology of | |
Philosophy and Sense of Life | |
Art and Sense of Life | |
Art and Cognition | |
Basic Principles of Literature | |
What Is Romanticism? | |
The Esthetic Vacuum of Our | |
Bootleg Romanticism | |
Art and Moral Treason | |
Introduction to NinetyThree Chapter 11 The Goal of My Writing Chapter 12 The Simplest Thing in the World | |
Other editions - View all
Common terms and phrases
achieve action artist aspect Atlas Shrugged attributes automatic Ayn Rand basic premises characterization characters choice cognitive color complex conceptual concrete conflict convey culture dance element emotions entities epistemological essential esthetic estheticians ethics evaluation evil existential experience expression fact feel Fritz Lang function fundamental goals hero Howard Roark Hugo's human important integration intellectual involved James Bond kind Les Misérables literary man’s man's consciousness means metaphysical value-judgments Mickey Spillane mind moral values motives Naturalists nature never normative science novel object observe one’s painting particular perception philosophy plot structure plot-theme popular fiction present principles projection psycho-epistemological psychological purpose rational re-creation of reality reason regard Roark Romantic art Romantic literature Romantic novelists Romanticism Romanticists scene selective re-creation sense soul specific story style stylization subconscious theme things thrillers today’s top-rank Romantic Victor Hugo view of existence visual writer


