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A. P. Laurie Apply second coat archery architectural setting artist brush strokes chalk ground clay models clean coat of gesso color study composition dces demands desired double boiler dried egg emulsion Egg Tempera Painting egg yolk employed forms formula fresco painting Gesso ground glazes glue grain alcohol ground as recommended ground or panel gypsum hard Hoofers Club Hoofers Room interest in mural let dry light and dark limited palette linseed oil materials Max Dorner medium method mixture mounted mural painting mural panel mural techniques nine feet oanvas oaused oil paint Old Union oolor painter painting surface pencil plaster Plaster of Paris possible emulsions Practice of Tempera Prestwood R. D. Turnbull rough sand paper sandpaper screws sheet gelatine simple to prepare Soak soft sport strength strong tectonio tempera ground terra cotta terra vert thesis thin underpainting VaolaV and R. D. varnish wall warp zinc white