Recodings: Art, Spectacle, Cultural PoliticsA Village Voice Best Book, a "lucid and provocative work...that allows us to glimpse the stirrings and upheavals in the hothouse of modern art". Copyright © Libri GmbH. All rights reserved. |
Contents
Introduction | 1 |
Against Pluralism | 13 |
Between Modernism and the Media | 33 |
Copyright | |
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abstract abstract expressionism Adorno æsthetic affinity alienation appropriation architecture argued Art in America artists avant garde Barbara Kruger become Benjamin bourgeois bourgeoisie Buchloh capital cliché commodity concept Contemporary Art contradictions conventional critical critique David Salle deconstructive dialectical difference discourse disrupt economic effect essay exchange value expression expressionism expressionist fetish Foucault Fredric Jameson function Gallery graffiti Hal Foster Holzer ideological images institutional Jameson Jean Baudrillard Julian Schnabel kitsch Kruger language Lévi-Strauss logic Longo mass culture modern art modernist modes MOMA museum myth nature neoconservative neoexpressionism painting pastiche Photo Picasso pluralism political art posed position postmodernism practice present primitive primitivism production relation representation repressed resistance rhetorical Robert Longo Roland Barthes Rubin Salle sculpture sexual Sherrie Levine signifier simulation social society specific spectacle strategy structural style subcultural symbolic tion tradition trans transformation transgressive tribal objects truth utopian Walter Benjamin western York