The Gothic Imagination: Expansion in Gothic Literature and ArtDemonstrates the connection between Gothic literature and art by analyzing the plot patterns, characters, and settings in Gothic stories and the construction and motifs of Gothic art from a stylistic, historical, and psychological approach. |
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Contents
Acknowledgments | 9 |
The Relationship of Gothic Art to Gothic Literature | 47 |
Particular Works of Gothic Literature | 73 |
Copyright | |
3 other sections not shown
Common terms and phrases
action appear aspects attempt attraction beauty become begins castle cathedral characters Christianity combined contrast create dark dead death described direct door dreams effect emotional entire eternal evil example expansion experience expression extremes eyes fall fear feeling figure finally followed forces Frankenstein garden Gothic architecture Gothic art Gothic literature Gothic novel greater grotesque hands Haunted height Helena human images imagination intensity involved Isidora John later leads less letter living manuscript Maturin Maud Melmoth Melmoth the Wanderer mind movement narrator nature night original ornament pain past path person physical possible present Press psychological reader reality religion religious repeated repetition represents result sense setting Seventh Moon sexual shadow soul space speaks spiritual story stranger suggest supernatural tale tall terror thought tion twisted Uncle Silas University vampire victim violence vision wild York
Bibliographic information
| Title | The Gothic Imagination: Expansion in Gothic Literature and Art |
| Author | Linda Bayer-Berenbaum |
| Edition | illustrated |
| Publisher | Fairleigh Dickinson University Press, 1982 |
| Original from | the University of Michigan |
| Digitized | Mar 4, 2008 |
| ISBN | 0838630685, 9780838630686 |
| Length | 155 pages |
| Export Citation | BiBTeX EndNote RefMan |