Form and Purpose in the Novels of Samuel RichardsonStanford University, 1961 - 204 pages |
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Aaron Hill action admits ardson basic beatification becomes Belford blame central Clarissa Clementina contrived Corr correspondence course criticism Darnford dear decorum defend his heroine delicacy designed didactic purpose didacticism domestic conduct books doubt dramatic novel dramatic novelist edition epistolary exemplary character exemplary heroine experience exposed extenuate fact Familiar Letters faults fears forgive give Harriet heart hero heroine's honour hope ideal illusion inner conflict insists interpretation Jane Austen Jeremy Taylor justify Lady Bradshaigh Lady Davers letter to Miss limited point London Lovelace Lovelace's marriage marry McKillop mind Miss Howe's moral moreover multiple point narrative nature never novel of character organic plot Pamela Pamela II passions person narrator point of view present pride punctilio rape rational reader reason rissa role romances Samuel Richardson sanctification scene seen Shamela Sir Charles Grandison Sir Hargrave story thought tion trial virtue weakness words writes