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Aaron Hill action admits ardson attempts basic beatification becomes Belford blame central Clarissa Clementina contrived correspondence course criticism Darnford dear decorum defend his heroine designed didactic purpose didacticism domestic conduct books doubt dramatic novel dramatic novelist edition English Studies epistolary exemplary character exemplary heroine experience exposed extenuate fact faults fears forgive give Harriet heart hero heroine's honour hope ideal illusion inner conflict insists interpretation Jane Austen Jeremy Taylor justify Lady Bradshaigh limited point London Lovelace Lovelace's marriage marry mind Miss Howe's moral moreover multiple point narrative narrator nature never novel of character organic plot Pamela Pamela II passions person person narrator point of view present pride punctilio rape rational reader realise reason rissa role romances Samuel Richardson sanctification scene seen Shamela Sir Charles Grandison Sir Hargrave story thought tion trial tries virtue weakness woman words writes