Codes and Consequences: Choosing Linguistic Varieties
This collection of essays considers how messages of intentionality are conveyed by choosing one style of English over another. While these choices are not necessarily conscious, implicit in the communicative competence of a speaker, performer, or writer is an awareness of the consequences of their choice of linguistic code. Messages of intentionality thus go beyond the referential content of the conversational turn, performance, or literary work. Intentions refer to everything from attitudes toward the subject matter to the presentation of the speakers persona in relation to the topic or audience. In this way, linguistic choices serve as a tool for the speaker or author and simultaneously as an index used by the audience to find these implied communicative goals.
The contributors examine this phenomenon, known as codeswitching, in situations ranging from translations of the Bible to surprise in poetry to supervisor-worker interactions on the automobile assembly line. A major theme throughout this volume is how the construct of markedness is utilized in codeswitching. Developed to varying degrees among these papers is the notion that speakers and writers, as rational actors, exploit the unmarked-marked opposition regarding audience expectations. Claims in many of these chapters follow the Markedness Model, Myers-Scottons explanation of linguistic choices. Under this model, the use of a particular code displays an intentional meaning that is viewed in terms of the extent to which the codes use matches community expectations, given the social situation or genre involved.
A wide array of subjects, from novels to family conversations at a holiday gathering, are discussed in these essays, making this volume of interest to linguists specializing in such areas as discourse analysis and sociolinguistics, as well as scholars and students of English literature and rhetoric.
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A Theoretical Introduction to the Markedness Model
Implicatures of Styleswitching in the Narrative Voice
Markedness and References to Characters in Biblical
Literariness Markedness and Surprise in Poetry
On Some Marked Exchanges in Romeo
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AADQs AAVE actor model addressee aesthetic African American analysis Arsenio Hall Show audience Capulet chapter characters code choice codeswitching cognitive communicative constraints context conversation Cormac McCarthy crucial detached participial phrases dialect discourse discussed drag queens effect English example factory Gatsby genre home style horses identity implicatures information features interaction type interpretation John Grady L2 learners Laban Lady Chablis language lexical linguistic choices linguistic variety literary text marked and unmarked marked passages marked structures marked style markedness evaluator markedness model McCarthy meaning Myers-Scotton negotiation norms novel occur participants Pearl performances phrasal verbs poem poetry Pretty Horses question RA models reader reading reference responses rights and obligations RO set Romeo RuPaul sentence sequence Sheila situation social speakers specific speech standard styleswitching stylistic choices supervisor switching syntactic talk Tessa thematic role tion Tybalt Tyger University Press unmarked choice utterance white woman style words workers