Picasso and portraiture: representation and transformation
William Stanley Rubin, Anne Baldassari, Museum of Modern Art (New York, N.Y.), Musée Picasso (Paris, France)
Museum of Modern Art, Apr 1, 1996 - Art - 496 pages
The first 100 years of modern art witnessed the popularization of photography and an increasing emphasis on abstraction in painting, which threatened the survival of portraiture as a genre. It continued to flourish, however, because modern painters--Picasso foremost among them--sought and found new ways to portray the human face. The hundreds of works reproduced here illustrate the multiple solutions Picasso invented to solve the "problem" of the modernist portrait. Illustrations, 230 in color.
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Foreword Glenn D Lowry
Reflections on Picasso and Portraiture 12
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Ambroise Vollard Armchair artist Barcelona Braque Brassai caricature charcoal color Cubism Daniel-Henry Kahnweiler December Demoiselles d'Avignon Dora Maar drawing early Eluard Etching exhibition eyes face Fernande figure Francoise Gilot friends frontal Gallery Geiser/Baer Gertrude Stein Gosol Guillaume Apollinaire hair Harlequin head India ink Ingres ink on paper Jacqueline January KIRK VARNEDOE later Marie-Therese Walter Matisse Matisse's Max Jacob Maya MICHAEL FITZGERALD Modern Art Musee Picasso Museum of Modern Neoclassical Neoclassicism Nude Nusch Oil on canvas OLGA KHOKHLOVA Olga's p1casso's self-portra1ts Pablo Picasso painter painting Paris Paul Paul Eluard pencil on paper Photograph by Picasso PICASSO AND PORTRAITURE Picasso Archives Picasso's art Picasso's studio Pierre Daix poet PORTRAITS OF DORA pose Private collection REFLECTIONS ON PICASSO Roland Penrose Salmon sculpture Seated Seckel seems Self-Portrait sketch studies style summer Surrealist tion transformed Vollard WILLIAM RUBIN Woman women Zervos IP Zervos VII Zervos XVI