Seizing the Light: A Social History of Photography
Seizing the Light: A Social History of Photography provides a thought-provoking, accurate, and accessible introduction to the photographic arts for all readers. With stunning images and commentary by hundreds of international artists, the text clearly and concisely provides the building blocks necessary to critically explore photographic history from the photographers' eye, an aesthetic point of view.
87 pages matching practice in this book
Results 1-3 of 87
What people are saying - Write a review
We haven't found any reviews in the usual places.
John Plumbe Jr Southworth Hawes
21 other sections not shown
Other editions - View all
Seizing the Light: A Social & Aesthetic History of Photography
No preview available - 2017
aesthetic Album Albumen silver print Alfred Stieglitz amateur ambrotype American Ansel Adams artists audience beauty became believed Berenice Abbott Bill Brandt calotype camera Center century Clarence John Laughlin collodion color commercial compositions concept Courtesy George Eastman create culture Daguerre daguerreotype darkroom detail Edward Weston effect exhibition experience exposure Figure film Gallery Gelatin silver print George Eastman House glass graphic Henry human ideas imagemakers images inches Jerry Uelsmann John landscape lens light London look magazines meaning ment methods Minor White modernist movement Museum Muybridge National nature negative Niepce objects painter painting paper Paris Paul Strand photogra photogram photographic pictorial pictorialists plate portraits practice Press produced published raphy reality record representation reproduced reveal Robert scene sense sitter snapshot social Society space Steichen stereo Stieglitz studio style Talbot tion tographs University viewers visual Weston women York