The Novel of the Future

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Swallow Press/Ohio University Press, 1986 - Fiction - 212 pages
In The Novel of the Future, Anaïs Nin explores the act of creation--in literature, film, art, and dance--to arrive at a new synthesis for the young artist struggling against the sterility, formlessness, and spiritual bankruptcy afflicting much of modern fiction. Identifying those trends which she finds most destructive in modern fiction (reportage, the substitution of violence for emotion, and the growing cults of ugliness, toughness, and caricature), Nin offers, instead, an argument for and synthesis of the poetic novel.

Drawing upon such related arts as filmmaking, painting, and dance, Nin discusses her own efforts in this genre as well as the development of such writers as D. H. Lawrence, Henry Miller, Lawrence Durrell, Marguerite Young, and Djuna Barnes. In chapters devoted to the pursuit of the hidden self, the genesis of fiction, and the relationship between the diary and fiction, she addresses the materials, techniques, and nourishment of the arts, and the functions of art itself.

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Contents

Introduction I
1
Two Abstraction
24
THREE Writing Fiction
44
Copyright

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About the author (1986)

Anaïs Nin 1903-1977 Writer and diarist Anaïs Nin was born February 21, 1903 in Neuilly, France to a Catalan father and a Danish mother. She spent many of her childhood years with her Cuban relatives. Later, she became a naturalized American citizen. Nin is best known for her journals,"The Diary of Anais Nin, Vols. I-VII" and her erotic fiction. In fact, Nin was one of the raliest writers of erotica for women. She also wrote the book Henry and June, which was made into a movie of the same name in 1990. In 1973 Anaïs Nin received an honorary doctorate from the Philadelphia College of Art. She was elected to the United States National Institute of Arts and Letters in 1974. She died of cancer in Los Angeles, California, on January 14, 1977.

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