Structure of the Visual Book"[A] play of many voices that celebrates the music of thought. Seven people by chance and circumstance inhabit the same building. During this work day walls become translucent, barriers that separate these solitary workers thin out. The characters reveal themselves through the melodies and rhythms in their speech, exposing personalities that are complex and often contradictory. I mean you know delineates the varieties of orchestrations and juxtapositions of voices within a musical score format. This visual book serves both as a book that reads silently out loud and as a script for performance"--Book jacket. |
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Page 53
... ture to achieve optimum gap . That which is implied between pictures is the means of sewing the pictures together . It is conceptual bookbinding . The use of the literal and implied gap between pictures is critical . If too many of the ...
... ture to achieve optimum gap . That which is implied between pictures is the means of sewing the pictures together . It is conceptual bookbinding . The use of the literal and implied gap between pictures is critical . If too many of the ...
Page 65
... ture of an Elizabethan sonnet . If I pattern pictures after this structure , perhaps it would be appropriate to subject matter , suggesting a mood of lyri- cism . More concretely , it could clue the perceptive viewer by hinting at a ...
... ture of an Elizabethan sonnet . If I pattern pictures after this structure , perhaps it would be appropriate to subject matter , suggesting a mood of lyri- cism . More concretely , it could clue the perceptive viewer by hinting at a ...
Page
... ture . Structure pulls the separate pictures into a unified whole , as a group , series , or sequence . Structure is a means of speaking aside from the pictures and / or text . This book is not concerned with what is placed on the page ...
... ture . Structure pulls the separate pictures into a unified whole , as a group , series , or sequence . Structure is a means of speaking aside from the pictures and / or text . This book is not concerned with what is placed on the page ...
Contents
INTRODUCTION | 1 |
Getting acquainted with the book | 7 |
The process of turning pages | 14 |
Copyright | |
12 other sections not shown
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allows alter becomes beginning binding blank blind book format bookmaker bound chapter cluster codex collage color complete composed composition conceived concept constructed context continue cover create cycle determine direct referral display distance drawings elements evolve exist extreme flow fold book format forward four front graphic layout hand ideas identical illustrations imagery implied inflection interaction Keith Smith levels light limited literally means mood motif move movement never object omission opened folio pacing pattern photographs physical transition placed position possibilities potential Press progression recollection referral relationship repeated repetition result revealed rhythm seen separate sequence sheet side single picture solution space specific structure suggests symbolism term theme things tion tones transparencies ture turning unit variation vary vertical viewer viewing visual volume wall