When We Were Good: The Folk Revival

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Harvard University Press, 1996 - History - 412 pages
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When We Were Good traces the many and varied cultural influences on the folk revival of the sixties from early nineteenth-century blackface minstrelsy; the Jewish entertainment and political cultures of New York in the 1930s; the Almanac singers and the wartime crises of the 1940s; the watershed record album Folkways Anthology of American Folk Music; and finally to the cold-war reactionism of the 1950s. This drove the folk-song movement, just as Pete Seeger and the Weavers were putting "On Top of Old Smokey" and "Goodnight, Irene" on the Hit Parade, into a children's underground of schools, summer camps, and colleges, planting the seeds of the folk revival to come. The book is not so much a history as a study of the cultural process itself, what the author calls the dreamwork of history.

Cantwell shows how a body of music once enlisted on behalf of the labor movement, antifascism, New Deal recovery efforts, and many other progressive causes of the 1930s was refashioned as an instrument of self-discovery, even as it found a new politics and cultural style in the peace, civil rights, and beat movements. In Washington Square and the Newport Folk Festival, on college campuses and in concert halls across the country, the folk revival gave voice to the generational tidal wave of postwar youth, going back to the basics and trying to be very, very good.

In this capacious analysis of the ideologies, traditions, and personalities that created an extraordinary moment in American popular culture, Cantwell explores the idea of folk at the deepest level. Taking up some of the more obdurate problems in cultural studies--racial identity, art and politics, regional allegiances, class differences--he shows how the folk revival was a search for authentic democracy, with compelling lessons for our own time.

 

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WHEN WE WERE GOOD: The Folk Revival

User Review  - Jane Doe - Kirkus

Jargon-rich but provocative study of the folk-music craze of the '60s. Cantwell (American Studies/Univ. of North Carolina, Chapel Hill) is typical of a new school of academic critics combining ... Read full review

When we were good: the folk revival

User Review  - Not Available - Book Verdict

Lay readers may be put off by Cantwell's sometimes rambling examination of the American folk music revival of the 1950s and 1960s, which was ushered in by the Kingston Trio's hit "Tom Dooley ... Read full review

Contents

Tom Dooley
1
We Are the Folk
13
The New Minstrelsy
49
Ballad for Americans
81
Ramblin Round Your City
117
Wasnt That a Time
153
Smiths Memory Theater
189
He Shall Overcome
241
Happy Campers
269
Lady and the Tramp
313
Nobles Patrons Patriots Reds
355
Notes
383
Acknowledgments
403
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Page 402 - See Raymond Williams, The Country and the City (New York: Oxford University Press, 1973), pp.

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About the author (1996)

Robert S. Cantwell is Adjunct Professor of American Studies at the University of North Carolina at Chapel Hill. He is the author of Ethnomimesis: Folklife and the Representation of Culture and the classic Bluegrass Breakdown: The Making of the Old Southern Sound.

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