Hear Me Talkin' to Ya: The Story of Jazz as Told by the Men who Made it

Nat Shapiro, Nat Hentoff

Courier Corporation, Jan 1, 1966 - Music - 429 pages

"Music is your own experience, your thoughts, your wisdom. If you don't live it, it won't come out of your horn." ? Charlie Parker
"What is jazz? The rhythm ? the feeling." ? Coleman Hawkins
"The best sound usually comes the first time you do something. If it's spontaneous, it's going to be rough, not clean, but it's going to have the spirit which is the essence of jazz." ? Dave Brubeck
Here, in their own words, such famous jazz musicians as Louis Armstrong, King Oliver, Fletcher Henderson, Bunk Johnson, Duke Ellington, Fats Waller, Clarence Williams, Jo Jones, Jelly Roll Morton, Mezz Mezzrow, Billie Holiday, and many others recall the birth, growth, and changes in jazz over the years. From its beginnings at the turn of the twentieth century in the red-light district in New Orleans (or Storyville, as it came to be known), to Chicago's Downtown section and the Original Dixieland Jazz Band and Chicago's South Side to jam sessions in Kansas City to Harlem during the Depression years, the West Coast and modern developments, the story of jazz is vividly and colorfully documented in hundreds of personal interviews, letters, tape recorded and telephone conversations, and excerpts from previously printed articles that appeared in books and magazines.
There is no more fascinating and lively history of jazz than this firsthand telling by the men who made it. It should be read and re-read by all jazz enthusiasts, musicians, students of music and culture, students of American history, and other readers. "A lively book bearing the stamp of honesty and naturalness." ? Library Journal. "A work of considerable substance." ? The New Yorker. "Some of the quotations are a bit racy but they give the book a wonderful flavor." ? San Francisco Chronicle.

Contents

• It was always a musical townespecially The District: 3
• For every occasiondances funerals parties and: 14
• The kids were poor and they often improvised their: 26
• Bunk Johnson King Oliver Louis Armstrong Kid Ory: 34
• Then the Navy closed Storyville down But jazz went: 63
• Many of the jazzmen worked their way North in Fate: 75
• Jam sessions gangsters speakeasies recording sessions: 128
• to Harlem which really jumpedon through: 167
• and there were Fletcher Henderson and the great: 202
• Ellington plays the piano but his real instrument is: 224
• Bessie SmithThe Empress of the Blues: 239
• and spreading his special brand of musical joy: 253
• New Yorks second linethe men who played with: 269
• From Kansas City a musicians town came stories: 284
• The Swing Erabig bands big money jitterbugs one: 313
• The experimentersThelonius Monk Dizzy Gillespie: 335
• Downtown Fiftysecond Street was the proving ground: 359
• About a problemnarcotics: 371
• New sounds from big bandsStan Kenton Woody: 383
• The presentwhere paths crossnotably those of some: 391
• Coda: 405
• INDEX: 411

Popular passages

Page 421 - CHARLIE PARKER Music is your own experience, your thoughts, your wisdom. If you don't live it, it won't come out of your horn. They teach you there's a boundary line to music. But, man, there's no boundary line to art.‎

Bibliographic information

• Title: Hear Me Talkin' to Ya: The Story of Jazz as Told by the Men who Made it; Dover books on music
• Authors: Nat Shapiro, Nat Hentoff
• Edition: reprint
• Publisher: Courier Corporation, 1966
• ISBN: 0486217264, 9780486217260
• Length: 429 pages
• Subjects: Music / Genres & Styles / Jazz; Music / History & Criticism; Social Science / Ethnic Studies / African American Studies