No kidding!: clown as protagonist in twentieth-century theatre
No Kidding! Clown as Protagonist in Twentieth-Century Theater examines the way clown was transformed into a serious character in twentieth-century theater. Modernist theater practitioners recognized that clown's approach to performance is profoundly different from other modes of theatrical representation. The paradox of clown, a traditionally marginal, comic character thrust into center stage as the focus of the agon, provided a stimulating new way to renovate tragedy. Experiments with clown by Jean Cocteau, Vsevolod Meyerhold, Bertolt Brecht, Samuel Beckett, Giorgio Strehler, Dario Fo, and Roberto Benigni are examined as a means of exploring how and why clown became, in contemporary theater and film, a character from whom audiences expect philosophizing, angst, or political criticism as much as physical comedy and fractured language.
3 pages matching R. G. Davis in this book
Results 1-3 of 3
What people are saying - Write a review
We haven't found any reviews in the usual places.
Towards an Understanding of Clown
Early Modernism and
Meyerholds Transformation from Pierrot
8 other sections not shown
Act Without Words actor Arlecchino artists audience audience's Auguste Bertolt Brecht Bill Irwin Biomechanics Blok Chaplin Chapter circus clown characters clown dichotomy clown logic clown technique Cocteau Columbine Columbine's Scarf comedy comic commedia dell'arte contemporary Copeau Cordelia create critics dance Dario Fo Davis death Decroux developed Didi and Gogo director elephant Endgame Estragon Fairground Booth film Fo's Fool Fratellini Brothers Galy Gay Galy Gay's giullare grotesque Harlequin Hoyle Ibid Italian Jacques Copeau Kapellmeister Karl Valentin lazzo of suicide Lear Lear's London Mann ist Mann Margueritte Meyerhold mime's mimetic conventions mimetic space minstrel Mistero Buffo modern modernist off-stage pantomime Paris performance Piccolo Teatro Pierrot assassin Pisoni political popular culture Pozzo production protagonist puppet R. G. Davis Robin Williams role Samuel Beckett Shakespeare soldiers stage story Strehler style theatrical tradition tragedy tragic trans transformation umorismo University Press Valentin Vladimir Waiting for Godot White Clown York