A Brief History of CuratingA history of the last 50 years of curating told through Hans Ulrich Obrist's interviews with legendary curators Anne D'Harnoncourt, Werner Hoffman, Jean Leering, Franz Meyer, Seth Siegelaub, Walter Zanini, Johannes Cladders, Lucy Lippard, Walter Hopps, Pontus Hulten, and Harald Szeemann Part of JRPRinger's innovative Documents series, published with Les Presses du Réel and dedicated to critical writings, this publication comprises a unique collection of interviews by Hans Ulrich Obrist mapping the development of the curatorial field--from early independent curators in the 1960s and 70s and the experimental institutional programs developed in Europe and the U.S. through the inception of Documenta and the various biennales and fairs--with pioneering curators Anne D'Harnoncourt, Werner Hoffman, Jean Leering, Franz Meyer, Seth Siegelaub, Walter Zanini, Johannes Cladders, Lucy Lippard, Walter Hopps, Pontus Hulten and Harald Szeemann. Speaking of Szeemann on the occasion of this legendary curator's death in 2005, critic Aaron Schuster summed up, "the image we have of the curator today: the curator-as-artist, a roaming, freelance designer of exhibitions, or in his own witty formulation, a 'spiritual guest worker'... If artists since Marcel Duchamp have affirmed selection and arrangement as legitimate artistic strategies, was it not simply a matter of time before curatorial practice--itself defined by selection and arrangement--would come to be seen as an art that operates on the field of art itself?" |
From inside the book
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Page 80
... where he lives . What follows is a record of the conversation I had with Szeemann last summer , in which he reflected on his more than 40 - year career . HUO Until 1957 you were involved in theater . Then Harald Szeemann.
... where he lives . What follows is a record of the conversation I had with Szeemann last summer , in which he reflected on his more than 40 - year career . HUO Until 1957 you were involved in theater . Then Harald Szeemann.
Page 82
... the time I took over the Kunsthalle in 1961 , I was faced with this venerable past , so I had to change direction . You wrote that Bern was something like a “ situation . ” A kind of " mental space . " I found HARALD SZEEMANN.
... the time I took over the Kunsthalle in 1961 , I was faced with this venerable past , so I had to change direction . You wrote that Bern was something like a “ situation . ” A kind of " mental space . " I found HARALD SZEEMANN.
Page 103
... Harald Szeemann , Walter Hopps , etc. FM I don't think I'm an exhibition organizer like my famous colleague Harald Szeemann . I can't be compared with him in any way . My interest was primarily the creation of a certain continuity of ...
... Harald Szeemann , Walter Hopps , etc. FM I don't think I'm an exhibition organizer like my famous colleague Harald Szeemann . I can't be compared with him in any way . My interest was primarily the creation of a certain continuity of ...
Common terms and phrases
American Amsterdam architecture archive art history art world artists artworks asked Basel became Beuys Biennial building called Carl Andre catalogue collaboration collection conceptual art contemporary art course critic cultural curator curatorial d'Harnoncourt Daniel Buren documents Dorner Duchamp Eindhoven Europe Eva Hesse example exhibition fantastic Fluxus gallery going Hans Ulrich Obrist happen Harald Szeemann idea important installation institution interesting interview Jasper Johns Jean Jean Tinguely Johannes Cladders Kienholz kind knew Kunst Kunsthalle Bern later lived look Matisse modern art Moderna Museet MoMA Mönchengladbach Monte Verità museum director Museum of Modern never organized painting Paris Paris-New York Paulo political Pompidou Pontus Hultén question Rauschenberg remember retrospective role Rüdlinger Sam Francis Sandberg São Paulo sculpture Sol LeWitt space started Stedelijk Stockholm studio talk things Tinguely tion utopian Vienna Walter Hopps wanted wonderful writing wrote