Outlaws and Highwaymen: The Cult of the Robber in England from the Middle Ages to the Nineteenth Century
In the modem imagination, the highwayman is a figure on horseback in a three-cornered hat who holds up a mail-coach with pistols. But England has a long legendary history of robber heroes, that goes back well before Dick Turpin, even before the earliest ballads of Robin Hood. Eighteenth-century highwaymen like Turpin were absorbed into an already rich tradition of stories and ideas about robbery and robbers. In this lively and informative book, Gillian Spraggs argues for the existence of a distinctively English 'cult of the robber'. Englishmen took pride in the belief that there were more robbers in England than anywhere else in Europe. This was felt to be a credit to the nation, because it demonstrated English toughness and daring. Robbery possessed a potent mystique. For one thing, it was a gentleman's crime. The penniless young gentleman who took a purse on the highway was felt to be showing the courage that he had inherited from his ancestors. As for the lad of common stock who was drawn to the life of a highwayman, he often saw it as a way of rising in the world, by becoming a 'knight of the road'. This is the first authoritative full-length study entirely devoted to the English robbers of history and legend. It draws on street ballads and social commentary, reportage and satire, gossip and high literature, popular anecdotes and criminal biographies in charting the images of the highway robber across eight centuries. It includes original interpretations, supported by extensive research, of the three major literary portrayals of the highway robber: the medieval outlaw tale A Gest of Robyn Hode, Shakespeare's King Henry IV; Part 1, famous for the character of the robber knight, Falstaff, and John Gay's eighteenth- century musical drama The Beggar's Opera.
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Robbery in the Greenwood
The Robin Hood Tradition
Good Fellows and Sworn Brothers
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