Transatlantic Print Culture, 1880-1940: Emerging Media, Emerging ModernismsA. Ardis, P. Collier Building on recent work on Victorian print culture and the turn toward material historical research in modernist studies, this collection extends the frontiers of scholarship on the 'Atlantic scene' of publishing, exploring new ways of grappling with the rapidly changing universe of print at the turn of the twentieth century. |
Contents
| 1 | |
History Culture and the Public Sphere Discipline Theory Methodology | 14 |
The Cultural Work of Print Media Markets Institutions and Audiences | 82 |
Modernism onin Print Media Print Media inon Modernism | 148 |
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Transatlantic Print Culture, 1880-1940: Emerging Media, Emerging Modernisms A. Ardis,P. Collier No preview available - 2008 |
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advertising aesthetic American Ardis argues argument Arnold artistic audience Britain British Cambridge Carnegie Carnegie's Chalaby Charlotte Perkins Gilman circulation clippings collaborative commercial context critical daily debate democracy DiCenzo discourse discussion domestic editors elite Emerging engagement essay feminine feminism feminist fiction Freewoman genre Gertrude Stein Habermasian Henrietta Home Chat images John O'London's John O'London's Weekly journalism journalistic Kitty Foyle Latham literary literature little magazines London mainstream mass mass-market material models Modern Woman modernist studies Morley Morrisson MSS 76 Box Nellie Bly newspapers object Oxford Pall Mall Gazette papers patronage periodical press periodical studies philanthropy political popular print culture print media public sphere published readers readership reading reporters Robert Scholes scholars Scholes social Stead suffrage suggests Tender Buttons tion Transatlantic Print Culture transformation Tusan twentieth century University Press Victorian visual Votes for Women Weekly writing YCAL MSS 76 York


