Kazimir Malevich: The Climax of Disclosure
Malevich's sudden and startling realization of a non-objective way of painting – which he termed Suprematism – stands as a seminal moment in the history of twentieth-century art.
Rainer Crone and David Moos trace the artist's development from his beginnings in the Ukraine and early years in Moscow – where he was closely involved in the Futurist circle – through to the late 1920s and beyond. The authors of this book convincingly demonstrate that it is only through a close and sustained reading of Malevich's late – and still widely misunderstood – painterly oeuvre that his extraordinarily inventive stance can truly be comprehended.
Crone and Moos trace the close relationship between Malevich's practice and other contemporary non-political revolutions in physics, linguistics and poetry. They present Malevich as a uniquely creative artist, embodying in his work many of the insights and discoveries that define the twentieth century and the condition of modern life.
What people are saying - Write a review
We haven't found any reviews in the usual places.
Other editions - View all
articulated artist assertion avant-garde benefolent brushstroke Burliuk century Cezanne characterized colour complex Composer Matiushin composition comprehension concept concerns construction context conventional creation Cubism culture David Burliuk David Moos defined dimensions discourse Einstein elements essence exhibition existence figure formal function Futurist geometric human ideas illus implies insight interpretation K. S. Malevich Kazimir Malevich landscape language Leningrad linguistic logic meaning Moscow narrative nature non-objective notion objective observed oil on canvas painter painterly pencil on paper perception physics Picasso pictorial poetic poetry Portrait proposition pure question radical reality realm rectangle reference reflected relationship relativity of simultaneity representation reveals Roman Jakobson Russian avant-garde Russian Futurism Russian Museum Self-Portrait semantic significance simultaneity space St Petersburg Stedelijk Museum structure Suprematism Suprematist Suprematist Painting surface syntax texture theoretical theory thought tion tradition Union of Youth universe Velimir Khlebnikov viewer visual words zaum