Mind in the Cave: Consciousness and the Origins of ArtThe breathtakingly beautiful art created deep inside the caves of western Europe has the power to dazzle even the most jaded observers. Emerging from the narrow underground passages into the chambers of caves such as Lascaux, Chauvet, and Altamira, visitors are confronted with symbols, patterns, and depictions of bison, woolly mammoths, ibexes, and other animals.Since its discovery, cave art has provoked great curiosity about why it appeared when and where it did, how it was made, and what it meant to the communities that created it. David Lewis-Williams proposes that the explanation for this lies in the evolution of the human mind. Cro-Magnons, unlike the Neanderthals, possessed a more advanced neurological makeup that enabled them to experience shamanistic trances and vivid mental imagery. It became important for people to "fix," or paint, these images on cave walls, which they perceived as the membrane between their world and the spirit world from which the visions came. Over time, new social distinctions developed as individuals exploited their hallucinations for personal advancement, and the first truly modern society emerged. Illuminating glimpses into the ancient mind are skillfully interwoven here with the still-evolving story of modern-day cave discoveries and research. The Mind in the Cave is a superb piece of detective work, casting light on the darkest mysteries of our earliest ancestors while strengthening our wonder at their aesthetic achievements. |
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The mind in the cave: consciousness and the origins of art
User Review - Not Available - Book VerdictFor the last 30 years, Lewis-Williams (Rock Art Research Inst., Univ. of Witwatersrand, Johannesburg) has written books and articles about rock art produced by the San (Bushmen) of South Africa and ... Read full review
Other editions - View all
The Mind in the Cave: Consciousness and the Origins of Art J. David Lewis-Williams No preview available - 2009 |
The Mind in the Cave: Consciousness and the Origins of Art J. David Lewis-Williams No preview available - 2002 |
The Mind in the Cave: Consciousness and the Origins of Art David Lewis-Williams No preview available - 2004 |
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Africa Altamira altered animals archaeologists argue associated Aurignacian aurochs Axial Gallery behaviour believe bison Bleek bone brain Breuil Bulls cave art chamber Chapter Châtelperronian complex contexts cosmos dance Darwin depicted Diverticule dreams eland engraved entoptic phenomena entrance ethnographic evidence experience explanation Felines figures fully modern Gabillou hallucinations handprints higherorder consciousness Homo sapiens horse human consciousness imagemaking instance intelligence kind LamingEmperaire lamps Lascaux LeroiGourhan LéviStrauss Magdalenian mental imagery metaphor Middle Palaeolithic mind motifs Mousterian mythogram Neanderthals neurological Niaux North American notion parietal art Pech Merle people’s portable art probably Raphael realm representational rituals rock art rock paintings rock shelters San rock San shamans seems sensations shamanistic shamans society southern African species spirit helpers spirit world Stage statuettes stone structure subterranean suggest supernatural symbolic threedimensional TimeByte trance Transition Tukano tunnel twodimensional Upper Palaeolithic art Upper Palaeolithic cave vision quest wall west European western Europe