The Super 8 Film Maker's Handbook |
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Page 254
... splice is directly on frame line . This type of splice should be used when spliceless projection prints are desired from originals . Long roll loading splicer . Long rolls of Mylar tape are stored in the splicer , eliminating the ...
... splice is directly on frame line . This type of splice should be used when spliceless projection prints are desired from originals . Long roll loading splicer . Long rolls of Mylar tape are stored in the splicer , eliminating the ...
Page 255
... Splices are normally on the frame line and if the splicer is properly aligned will not appear on the screen during projection . Chemical splicing is slow , slower than splicing with single polyester tapes . However , if properly made the ...
... Splices are normally on the frame line and if the splicer is properly aligned will not appear on the screen during projection . Chemical splicing is slow , slower than splicing with single polyester tapes . However , if properly made the ...
Page 263
... splicing the next shot to the scene , you splice in black leader . The next roll starts off with a length of black leader equal to the length of the first scene . The second scene is then spliced at the end of the black leader . The splices ...
... splicing the next shot to the scene , you splice in black leader . The next roll starts off with a length of black leader equal to the length of the first scene . The second scene is then spliced at the end of the black leader . The splices ...
Contents
THE WILD WORLD OF FILM MAKING | 1 |
VIEWFINDER AND FOCUSING SYSTEMS | 33 |
THE WORLD OF LENSES | 47 |
Copyright | |
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Common terms and phrases
16 mm cameras action actually angle animation aperture audience automatic exposure background basic Bolex built-in close-up lens close-up reading colour film colour temperature crane shot daylight depth-of-field designed diaphragm diopter dolly dolly shot double editing effect emulsion equipment example exposed film maker filming speeds filter finder focal length focal length lenses focus footage foreground gate halogen lamps hand-held highlight lapse lip sync lip synchronized long shot look machines magnetic medium shot meter microphone mounted move movement movie normal optical optical printer overall position problem projection projector recorder reel reflector rewinds scene screen sequence shadow areas sharpness shooting shutter simply single focal length single frame slow motion sound splice spool sprocket super 8 cameras super 8 cartridge sync sound tape technique tend through-the-lens track tremendous tripod tungsten viewer viewfinder virtually wide-angle zoom lens