Dattilam: A Compendium of Ancient Indian MusicEmmie te Nijenhuis |
Contents
Transcription and translation | 16 |
Connection of the seven intervals svara and | 19 |
Tānas i e pentatonic and hexatonic mūrchanās 29cd41 | 30 |
Sixtysix śrutis in the three registers sthāna | 42 |
Madraka song 161cd171ab | 45 |
Pure śuddha and modified vikṛta jātis | 48 |
initial note | 55 |
Commentary | 62 |
Short laghu long guru and extra long pluta values 123cd125a | 317 |
āvāpa nişkrāma | 328 |
The tāla pańcapāņi uttara or șatpitāputraka 127cd129ab | 341 |
Vastu the principal part of a composition 139140 | 353 |
The three speeds laya 151cd | 362 |
The even yugma and the odd ayugma combination | 376 |
Aparāntaka song 171cd179ab | 379 |
Prakari song 195cd | 393 |
Jatis of the madhyama grāma 7490ab | 76 |
The thirteen graces alamkāra 99cd108 | 108 |
kākalī nişāda and antara | 118 |
Sonant vādin and consonant samvādin 18 | 149 |
Mixture of the jātis 96cd | 207 |
RHYTHM | 222 |
concise and extensive | 223 |
Oveņaka song 201cd211ab | 397 |
pravṛtta avagādha | 405 |
Samaveda the source of vocal music 222 | 413 |
Khańja and natkuța 224ab | 414 |
Parts of the vardhamāna song 236ab | 420 |
Introduction to the music examples | 426 |
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Common terms and phrases
According alamkāra amśa ancient Indian apanyāsa arched harp Baroda bhairava Bharata bhāṣā bhavet Bombay caiva called citra comm connected Daniélou Datt Dattila defined BhN deśī dhaivata dhruva dominant dvikala evam explained final note nyāsa four śrutis Fox Strangways gamaka gāndhāra Gandharvas Ghosh gīti graha grāma grāmarāgas hand-movements high register Indian music initial note intervals jāti kaiśika kākali kalās KuSR limbs low register lute madhyama madhyamagrāma madraka mandra Matanga mātrā MBṛh mela mentioned mūrcchanā music ex music example Narada NārŚ NārSM nişāda octave overlapping pādabhāga pańcama pańcapāņi pāta pentatonic pentatonic form rāga rsabha sa-grāma sadja sadjagrāma Samaveda samvadin śamyā Śārigadeva ŚārńSR secondary final notes sentiments seven notes song śrutis strings style śuddha scale sung svaras syād syāt tāla tānas tāra tathā tatra three śrutis Transl TulSS ucyate vādin varna vastu velāvalī vidārī vikrta viņā vividha vrtti yathā