Gender and Jewelry: A Feminist AnalysisJewelry responds to our most primitive urges, for control, honor, and sex. It is at once the most ancient and most immediate of art forms, one that is defined by its connection and interaction with the body. In this sense it is inescapably political, its meaning bound to the possibilities of the body it lies on. Indeed, the fate of the body is often bound to the jewelry. This study looks at gender and jewelry in order to gain some understanding into how jewelry is constructed by and constructs not just a single society, but human societies. It will explore how societal traditions that have sprung up around jewelry and ornamentation have affected the possibilities available to women across a broad spectrum of social and ethnic circumstances, determining which have served women well and which are constrictive and destructive. It also examines the possibilities for the intentional creation of feminist jewelry, including an overview of the author's own work. |
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Contents
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Niger Anklets | 13 |
23 Ownership and Incapacitation Survey | 17 |
Holocaust Jewelry | 58 |
43 Physical and Conceptual Empowerment Survey | 61 |
Madeleine Albright | 77 |
45 Physical and Conceptual Empowerment Conclusions | 80 |
51 Introduction to Intersectional Case Studies | 83 |
Palestinian Inheritance | 86 |
Western Body Piercing | 89 |
61 Feminist Jewelry Introduction | 93 |
Indian WifeWidow Jewelry | 29 |
25 Ownership and Incapacitation Conclusions | 32 |
3 1 Gendered Honor and Status Introduction | 36 |
Headhunter Jewelry | 37 |
33 Gendered Honor and Status Survey | 40 |
Diamond Engagement Rings | 50 |
35 Gendered Honor and Status Conclusions | 55 |
41 Physical and Conceptual Empowerment Introduction | 57 |
62 Explicit Discussion of Gender | 95 |
63 Problematizing of Specific Practices | 98 |
64 As Source of Alternative Narrative | 100 |
65 Jewelry for the WearerSubversion of the Gaze | 106 |
66 Conclusions | 109 |
Appendix I | 111 |
Appendix II | 124 |
Common terms and phrases
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