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THE PATTERN OF THE PRESENT ARGUMENT REGARDING THE RELA
PLATO TO PETRARCH
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ancient Aristotle art's artist baroque beauty became Byron called Carlyle Christian Church classical conﬂict Dante deﬁned deﬁnitely dialectic England essay esthetic esthetician eternal experience expression faith Faust feeling ﬁeld ﬁgure ﬁnally ﬁnd ﬁrst ﬁve ﬂesh ﬂight ﬂows France freedom French genius German gild Goethe Goethe's Greek heart Hegel Homunculus human ideas illth industry ineffable inﬁnite inﬂuence intellectual John Ruskin labor Lamennais liberal libertarian liberty living logic Louis master means Mephisto metaphysical mind moral Napoleon nature Offenbach organization painters painting passion Pater Petrarch philosophy of art Plato poems poet poetry political Pope pre-Raphaelites Proudhon reason religion Revolution rococo romantic romanticism rule Ruskin Sainte-Beuve salvation Schopenhauer scientiﬁc sense Shelley signiﬁcant social society soul speciﬁc spirit Swinburne symbol taste theme things thought tion tradition true truth ugly universal utter vision Wagner Whistler Wilde wrote