The New York School: A Cultural Reckoning

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Penguin Books, 1979 - Art - 246 pages
With the emergence of Abstract Expressionism after World War II, the attention of the international art world turned from Paris to New York. Dore Ashton captures the vitality of the cultural milieu in which the New York School artists worked and argued and critiqued each other's work from the 1930s to the 1950s. Working from unsifted archives, from contemporary newspapers and books, and from extensive conversations with the men and women who participated in the rise of the New York School, Ashton provides a rich cultural and intellectual history of this period. In examining the complex sources of this important movement--from the WPA program of the 1930s and the influx of European ideas to the recognition in the 1950s of American painting on an international scale--she conveys the concerns of an extraordinary group of artists including Willem de Kooning, Jackson Pollock, Ad Reinhardt, Philip Guston, Barnett Newman, Arshile Gorky, and many others. Rare documentary photographs illustrate Ashton's classic appraisal of the New York School scene.

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Contents

Introduction
1
Greenwich Villageand Depression
15
Hell its not just about painting
20
Copyright

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About the author (1979)

Dore Ashton was born Dorothea Shapiro in Newark, New Jersey on May 21, 1928. She received a bachelor's degree in literature from the University of Wisconsin in 1949 and a master's degree in art history from Harvard University in 1950. After leaving Harvard, she began writing reviews for Art Digest and soon became an associate editor. In 1955, she became an art reviewer for The New York Times. She left the newspaper in November 1960. She taught art history at the School of Visual Arts, Cooper Union and the New School. She wrote numerous books during her lifetime including The Unknown Shore: A View of Contemporary Art, A Reading of Modern Art, The New York School: A Cultural Reckoning, A Joseph Cornell Album, "Yes, but ¿: A Critical Study of Philip Guston, A Fable of Modern Art, American Art Since 1945, About Rothko, and Noguchi East and West. Many of her essays were collected in Out of the Whirlwind: Three Decades of Arts Commentary. In 1963, the College Art Association gave her and the architecture critic Lewis Mumford the first Frank Jewett Mather Awards for distinguished arts journalism. She died on January 30, 2017 at the age of 88.

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