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The Birth of Opera
The German Way
rx The Divine OrganGrinder
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A'ida Academy of Music Amelita Galli-Curci American aria artistic audience ballet Barbiere Beethoven Bellini Beniamino Gigli Berlin Berlioz Bizet career Carmen cast Cherubini Chorus and Orchestra comic completed composer debut Destinn dramatic Elisabeth Elisabeth Rethberg English Enrico Caruso Ezio Pinza Faust favorite Fidelio finally France French Fyodor Chaliapin Garden Geraldine Farrar German Gigli Giovanni Martinelli Giuseppe de Luca Gluck Gounod Handel heard heroine Italian opera Italy later Leonora librettist libretto Lilli Lehmann Lohengrin London Louise Lucrezia Bori lyric Manon Marcel Journet Maria Massenet melody Metropolitan Opera Meyerbeer Mozart never November numbers Opera House Orfeo Otello overture Paris Parsifal performance Philharmonic Orchestra Ponselle popular premiere produced Puccini records repertoire Reszke Rethberg revived Rimsky role Rossini Russian sang scene score Scotti season singers singing song soprano Spontini stage story Strauss style success sung Symphony Orchestra tenor theater tion Toscanini Tristan Verdi's Vienna vocal Wagner Wagnerian Weber wrote York