Art and Philosophy |
Contents
The Cultural Nature of Art 27 255 | 27 |
The Identity and Individuation of Works of Art | 51 |
The Definition of Art | 77 |
Copyright | |
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abstract particulars actual world admit allographic Aristotelian Society artist artist's intention artworks ascribed ascription Beardsley's catachresis claims concedes concepts conceptual art construed context counterinstances criticism dance Danto depends discourse distinction embodied entails entities exist expressive fact false favor fictional world function G.E. Moore genres Goodman Grice Hence hermeneutic Hirsch historical holds Holmes identify identity illocutionary acts imagination internal interpretation Journal of Aesthetics kind language linguistic literal literary literature logical Margolis meaning megatype merely metaphor metonymy Monroe Beardsley nature notation ontological painting particular perceptual performance persons Philosophy physical objects Pickwick Papers plausible poem poetry possible predicates prime instance properties qualities question reasons reference relativism resemblance score sculpture sense sentences Sherlock Holmes Sibley Sibley's simply sort speak speech acts speech-act model story symbolic synecdoche taste theory thesis things tion token true truth University Press utterances Weitz Wellek Wimsatt