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admiration Allegro American appeared artist audience Bach beautiful Beethoven Berlioz better Brahms Carl Carl Hansen Cesar Franck chamber music Chevalier Gluck Chicago Chopin chorus Christiania church Clara Schumann Club composer composition concert conductor Conservatory dramatic Dudley Buck English Ernst expression Franz French gave German give given Gluck Grieg hall Hansen hear heard hearer idea instrument interest Italian Jenny Lind Joachim Johannes Brahms lady leading motives Leipsic Liszt master melody Mendelssohn ment minor Miss Mozart musicians never opera orchestra organ Overture performance pianist piano pianoforte pieces played players poem present produced Professor pupils quartet reason recital Russian Saint-Saens sang Schu Schubert Schumann seems singers singing solo Sonata songs sung symphony talent teacher theme thing Thomas tion tone Tschaikowsky Vincent d'Indy violin violinist vocal voice Wagner Weingartner words write written young
Page 136 - ... whose intellect is a clear, cold, logic engine, with all its parts of equal strength, and in smooth working order; ready, like a steam engine, to be turned to any kind of work, and spin the gossamers as well as forge the anchors of the mind ; whose mind is stored with a knowledge of the great and fundamental truths of Nature and of the laws of her operations; one who, no stunted ascetic, is full of life and fire, but whose passions are trained to come to heel by a vigorous will, the servant of...
Page 136 - That man, I think, has had a liberal education, who has been so trained in youth that his body is the ready servant of his will, and does with ease and pleasure all the work that, as a mechanism, it is capable of ; whose intellect is a clear, cold, logic engine, with all its parts of equal strength, and in smooth working order ; ready, like a steam engine, to be turned to any kind of work, and spin the gossamers as well as forge the anchors of the mind...
Page 564 - OUR youth is like the dream of the hunter on the hill of heath. He sleeps in the mild beams of the sun; he awakes amidst a storm; the red lightning flies around: trees shake their heads to the wind! He looks back with joy, on the day of the sun; and the pleasant dreams of his rest!
Page 2 - Being charmed by the sweetness of its tones, and the music he produced from it, I wished only to see the glasses disposed in a more convenient form, and brought together in a narrower compass, so as to admit of a greater number of tones, and all within reach of hand to a person sitting before the instrument...
Page 12 - Many pieces of it are mere compositions of tricks. I have sometimes, at a concert, attended by a common audience, placed myself so as to see all their faces, and observed no signs of pleasure in them during the performance of a great part that was admired by the performers themselves; while a plain old Scottish tune, which they disdained, and could scarcely be prevailed on to play, gave manifest and general delight. Give me leave on this occasion to extend a little the sense of your position, that...
Page 8 - ... purpose, which would best be answered if every word could, as it is sung, be understood by all that hear it, and if the emphasis you intend for particular words could be given by the singer as well as by the reader; much of the force and impression of the song depending on those circumstances.
Page 8 - ... its defects and absurdities as so many graces. I am afraid you will hardly take my word for this, and therefore I must endeavour to support it by proof.
Page 14 - Most tunes of late composition, not having this natural harmony united with their melody, have recourse to the artificial harmony of a bass and other accompanying parts. This support, in my opinion, the old tunes do not need, and are rather confused than aided by it. Whoever has heard James Oswald play these on his violoncello will be less inclined to dispute this with me.
Page 302 - HMS Pinafore' (1878), 'The Pirates of Penzance' (produced in New York, 1879, and in London, 1880), 'Patience' (1881), 'lolanthe