Music Criticism: Principles and Practice (with Special Reference to Karnataka Music) : a Comprehensive and Critical Study |
Contents
The Music Critic | 3 |
Art Criticism | 44 |
Music Criticism in the West | 50 |
Copyright | |
4 other sections not shown
Common terms and phrases
according activity aesthetic appear art experience artist aspects audience awareness beauty becomes called century composer compositions concert connoisseur consists continuous creative culture dance described develop discussion elements emotion example excellence expression feeling function gamaka give hand hear human imagination important Indian individual interest journals Karnataka kind knowledge kriti language latter laya learned limits listener material meaning melodic mental merits method mind movement music criticism musician nature never object pallavi particular pattern perception performance phrases physical play possible practice present principles raaga raga rasa reason reference relationship rendering respect segment sense singing situation social society sometimes song sound structure style subjective svara swara symbols taala taste techniques theory tion tone tradition true various voice writing