Surfaces and Essences: Analogy as the Fuel and Fire of Thinking

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Basic Books, Apr 23, 2013 - Philosophy - 592 pages

A revelatory foray into cognition and the dynamics of the mind.
 
Surfaces and Essences warrants a place alongside Gödel, Escher, Bach and major recent treatments of human cognition. Analogy is not the endpoint of understanding, but its indispensable beginning.” –Science

Analogy is the core of all thinking. 
 
This is the simple but unorthodox premise that Pulitzer Prize–winning author Douglas Hofstadter and French psychologist Emmanuel Sander defend in their new work. Hofstadter has been grappling with the mysteries of human thought for over thirty years. Now, with his trademark wit and special talent for making complex ideas vivid, he has partnered with Sander to put forth a highly novel perspective on cognition. 
 
We are constantly faced with a swirling and intermingling multitude of ill-defined situations. Our brain’s job is to try to make sense of this unpredictable, swarming chaos of stimuli. How does it do so? The ceaseless hail of input triggers analogies galore, helping us to pinpoint the essence of what is going on. Often this means the spontaneous evocation of words, sometimes idioms, sometimes the triggering of nameless, long-buried memories. 
 
Why did two-year-old Camille proudly exclaim, “I undressed the banana!”? Why do people who hear a story often blurt out, “Exactly the same thing happened to me!” when it was a completely different event? How do we recognize an aggressive driver from a split-second glance in our rearview mirror? What in a friend’s remark triggers the offhand reply, “That's just sour grapes”? What did Albert Einstein see that made him suspect that light consists of particles when a century of research had driven the final nail in the coffin of that long-dead idea? 
 
The answer to all these questions, of course, is analogy-making – the meat and potatoes, the heart and soul, the fuel and fire, the gist and the crux, the lifeblood and the wellsprings of thought. Analogy-making, far from happening at rare intervals, occurs at all moments, defining thinking from top to toe, from the tiniest and most fleeting thoughts to the most creative scientific insights. 
 
Like Gödel, Escher, Bach before it, Surfaces and Essences will profoundly enrich our understanding of our own minds. By plunging the reader into an extraordinary variety of colorful situations involving language, thought, and memory, by revealing bit by bit the constantly churning cognitive mechanisms normally completely hidden from view, and by discovering in them one central, invariant core – the incessant, unconscious quest for strong analogical links to past experiences – this book puts forth a radical and deeply surprising new vision of the act of thinking.

 

Contents

Prologue Analogy as the Core of Cognition
3
The Evocation of Words
33
The Evocation of Phrases
85
A Vast Ocean of Invisible Analogies
135
Abstraction and Intercategory Sliding
185
How Analogies Manipulate Us
257
How We Manipulate Analogies
317
Naïve Analogies
385
Analogies that Shook the World
437
Epidialogue Katy and Anna Debate the Core of Cognition
503
Notes
531
Bibliography
535
Index
557
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About the author (2013)

Douglas R. Hofstadter is College of Arts and Sciences Distinguished Professor of Cognitive Science and Comparative Literature at Indiana University, Bloomington. He is the author of the Pulitzer Prize-winning Gödel, Escher, Bach; Metamagical Themas; Fluid Concepts and Creative Analogies; I Am a Strange Loop; “Translator, Trader”; and most recently, Ambigrammia: Between Creation and Discovery.  He translated Alexander Pushkin’s novel-in-verse Eugene Onegin from Russian verse into English verse, and has also translated books from several other languages into English.   
 
Emmanuel Sander is Professor of Cognitive and Developmental Psychology at the University of Paris (Saint-Denis), specializing in the study of analogy-making and categorization and their connections to education. Among his previous works is the book Analogy, from the Naïve to the Creative.

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