University of California Press, Jan 1, 1990 - Art - 347 pages
This splendid and generously illustrated monograph by Horst Uhr is the first comprehensive study of one of the great individualists in the history of art. Lovis Corinth (1858-1925) has long been recognized as a major figure in German painting, along with Emile Nolde and Max Beckmann. Spanning a tremendously fertile period in European painting, his astonishingly productive career touched on major currents of art in his time, from the nineteenth-century academic tradition to Naturalism, Impressionism, and Expressionism. Corinth was accomplished in several media, including painting, drawing, and watercolor. After his death in 1925 virtually every major German city held its own memorial exhibition.
Professor Uhr draws on the artist's own diaries and letters, observations by his family, and writings by contemporaries to construct a detailed narrative which places Corinth's deeply autobiographical and personal work in the context of turn-of-the-century art politics in Munich and Berlin. Corinth is seen in relation both to contemporary cultural figures, such as artists, critics, and dealers, and to the theater, the Jugendstil movement, the Berlin Secession, and the Nietzsche cult in Germany. Corinth's themes in combination with powerful use of color and bold application of paint distinguish him as a modern master.
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Academie Julian artists Berlin Secession Bruckmann brushstrokes Carl catalogue Charlotte Berend Christ color conception Corinth painted Corinth's earlier cycle depicted Dokumentation drawing Eckmann Erlernen der Malerei etchings exhibition expression F I G U R E face female nude figure compositions FIGURE FIGURE FIGURE Florian Geyer flowers Franz Heinrich French Fritz Gurlitt Galerie im Lenbachhaus gallery gaze German Glass Palace graphic Halbe Hamburger Kunsthalle Herbert Eulenberg Ibid Imiela included Jugendstil Karl Karl Schwarz Konigsberg Kunst Kunsthalle Bremen Kunstlerleben lake Legenden Leibl lithographs Lovis Corinth Max Beckmann Max Liebermann Max Slevogt Munich Glass Palace Munich Secession Museum Oil on canvas painter palette Paris Paul Cassirer Pencil pictorial structure picture Plate posture Present whereabouts unknown Private collection rinth Salome Salon Schw Selbstbiographie Self-Portrait sitter sketch Slevogt Staatliche Museen Stadtische Galerie Stauffer-Bern suggested texture Thomas Corinth tion tones Tragicomedies Walchensee watercolor Wilhelm Wilhelmine