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achieve acting activity actor alignment Aristotle aspects attitude audience awareness basic beat become begin behavior body breath stream cadences caesura called chapter character character structure character's choice communication conflict consciousness Constantin Stanislavski create crisis develop dramatic action Edward Sapir emotion energy flows Erving Goffman everyday example Exercise experience explore expression external feel fellow actors Figure focus function gesture Glass Menagerie goal heightened idea images important inner instance Jerry Kabuki King Lear language Lear's mask meaning Moshe Feldenkrais move movement muscles natural objective onomatopoeia Othello partner pattern performance person physical play playwright plot psychological rehearsal relationship relaxation release response Restoration comedy rhythm role scene sense shape situation skills social someone sound space specific speech stage Stanislavski stimulus structure subtext syllables tension theatre things through-line vocal voice Waiting for Godot whole Willy Loman words Zoo Story