The Essential TheatreThis introductory text acquaints students with the theatre-its artistic and social functions, its development, and how each of the theatre arts functions as a unit. In the thirty-five years since it was first published, THE ESSENTIAL THEATRE has established a reputation as one of the most comprehensive, authoritative surveys of the theatre in academia. THE ESSENTIAL THEATRE works in tandem with its companion anthology, PLAYS FOR THE THEATRE (7/e), edited by Oscar G. Brockett with Robert Ball. The scripts in PLAYS serve as the foundation for discussion of the various types of theatrical experience explored in THE ESSENTIAL THEATRE. |
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Page 173
... achieve a unified artistic effect . This theoretical position has undergirded most twentieth - century ideas of staging . Georg II , duke of Saxe - Meiningen ( 1826–1914 ) , is now usually considered the first director in the modern ...
... achieve a unified artistic effect . This theoretical position has undergirded most twentieth - century ideas of staging . Georg II , duke of Saxe - Meiningen ( 1826–1914 ) , is now usually considered the first director in the modern ...
Page 177
... achieve the highest level of ensemble playing in productions that would make the dramatic action clear through simple natural acting emphasizing inner truth rather than external effect . Although the company was successful in achieving ...
... achieve the highest level of ensemble playing in productions that would make the dramatic action clear through simple natural acting emphasizing inner truth rather than external effect . Although the company was successful in achieving ...
Page 361
... achieve many different effects . ( For a discussion of these aspects of sound , see chapter 10. ) Typically , the ... achieved through control over articulation , pronunciation , and quality . Duration refers to the length of time ...
... achieve many different effects . ( For a discussion of these aspects of sound , see chapter 10. ) Typically , the ... achieved through control over articulation , pronunciation , and quality . Duration refers to the length of time ...
Contents
PART ONE FOUNDATIONS | 2 |
Performance Audience and Critic | 23 |
The Playscript | 37 |
Copyright | |
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achieve actors African American American Repertory Theatre Arena Stage artistic atre audience auditorium basic behavior Brecht Broadway Broadway theatre changes characterization characters Charles Erickson chorus Color Plate comedy comic commedia commedia dell'arte companies considered conventions costume designer courtesy create critics culture dance designer's developed Directed director drama dramatic action dramatists dramaturg dress effects elements emphasize entertainment example Festival film Greek Guthrie Theatre Hamlet human involved Julie Taymor lighting designers lighting instruments live major makeup medieval theatre melodrama Molière mood movement Oedipus the King onstage opera painting performance space photo by Richard pieces play play's playwrights popular production concept professional theatre proscenium realistic rehearsals relationship Repertory Theatre response Richard Feldman roles Roman scene scenery scenic script Shakespeare's Sophocles sound specific spectators stage Tartuffe television theatre's theatrical thrust stage tion tragedy typically units usually visual writing York York Shakespeare Festival