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This excellent review of how we find music, and who is finding the new stuff paints a very clear picture of the shift in music paradigms in the age of the internet. No longer is recorded music a scarcity where the consumer takes what they can get, rather attention is a scarcity, and we have to select carefully from the wide range of available music if we are to pay due attention to music.
Jennings introduces categories of music listeners and a wide range of modes of finding, and provides concrete examples of how they apply in our world. This book is a must-read for anyone who loves music or is interested in information seeking.

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