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16th century amongst ancient Andrea Angels arches architect architecture artist bas-reliefs beautiful Brescia bronze building built called Carlo castle cathedral celebrated centre century chapel choir church of San colour columns compartments contains Cosmo Cross cupola curious decorated Doge Donatello door Duke Duomo erected executed facade feet figures Florence France Francesco French fresco front Genoa Giotto Giovanni Giulio Romano Gothic ground Guercino head high altar Hotel inhabitants inscription interior Italian Italy Lombard Lord Lucca Madonna Mantua marble Maria Medici ment Messrs Michael Angelo Milan miles Monte monument nave noble ornaments Padua paintings palace Palazzo Parma Paul Veronese Piazza picture Pietro Pisa Porta portion portrait present principal remarkable representing rich road Roman Saints sculpture side specimen statue style Tintoretto tion Titian tomb tower town transept traveller ture Turin Tuscan Vasari Venetian Venice Verona Villa Virgin and Child walls
Page 176 - And he answered and said, He that dippeth his hand with me in the dish, the same shall betray me.
Page 315 - There is a glorious city in the sea; The sea is in the broad, the narrow streets, Ebbing and flowing; and the salt sea-weed Clings to the marble of her palaces. No track of men, no footsteps to and fro, Lead to her gates! The path lies o'er the sea, Invisible: and from the land we went, As to a floating city — steering in, And gliding up her streets, as in a dream...
Page 219 - And drove those holy Vandals off the stage. But see ! each Muse, in LEO'S golden days, Starts from her trance, and trims her wither'd bays, Rome's ancient genius, o'er its ruins spread, Shakes off the dust, and rears his reverend head. Then sculpture and her sister-arts revive ; Stones leap'd to form, and rocks began to live ; With sweeter notes each rising temple rung; A Raphael painted, and a Vida sung.
Page 219 - Shakes off the dust, and rears his rev'rend head. Then sculpture and her sister-arts revive; Stones leap'd to form, and rocks began to live; With sweeter notes each rising temple rung; A Raphael painted, and a Vida sung! Immortal Vida! on whose honour'd brow The poet's bays and critic's ivy grow: Cremona now shall ever boast thy name, As next in place to Mantua, next in fame!
Page 583 - His legions, angel forms, who lay entranced, Thick as autumnal leaves that strew the brooks In Vallombrosa, where the Etrurian shades, High overarched, embower...
Page 554 - I have seen two or three antique Busts of Alexander in the same air and posture, and am apt to think the Sculptor had in his thoughts the Conqueror's weeping for new worlds, or some other the like circumstance of his history.
Page 574 - He scarce had ceased, when the superior fiend Was moving toward the shore ; his ponderous shield, Ethereal temper, massy, large, and round, Behind him cast ; the broad circumference Hung on his shoulders like the moon, whose orb Through optic glass the Tuscan artist views At evening from the top of Fesole Or in Valdarno, to descry new lands, Rivers, or mountains, in her spotty globe.
Page 19 - SURENNE'S NEW FRENCH MANUAL AND TRAVELLER'S COMPANION. Containing an Introduction to French Pronunciation; a Copious Vocabulary; a very complete Series of Dialogues on Topics of Every-day Life ; Dialogues on the Principal Continental Tours, and on the Objects of Interest in Paris; with Models of Epistolary Correspondence.
Page 507 - Wherefore I prayed, and understanding was given me: I called upon God, and the spirit of wisdom came to me. I preferred her before sceptres and thrones, and esteemed riches nothing in comparison of her.
Page 517 - ... apparent inconsistencies of all writers, ancient and modern, who deserved the name of wise, as he had already attempted by Plato and Aristotle. In these arduous labours he was cut off by a fever at the age of thirty-one, in 1494, on the very day that Charles VIII. made his entry into Florence. A man, so justly called the phoenix of his age, and so extraordinarily gifted by nature, ought not to be slightly passed over, though he may have left nothing which we could read with advantage. If we talk...