The Way Hollywood Tells it: Story and Style in Modern Movies

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University of California Press, 2006 - Performing Arts - 298 pages
6 Reviews
"This book is simply first-rate and exhaustive in terms of its scholarship and research, and is well-written, insightful, accessible, and engaging. Bordwell throws a wrench into the ways that Hollywood cinema since the 1960s is frequently taught and theorized, presenting a complex but clear picture that will stand as one of the most important books on American film from the 1960s to the present."--John Caldwell, Professor of Film and Television, UCLA
"In "The Way Hollywood Tells It," David Bordwell treats us to an analytic account and history of the craft of modern Hollywood filmmaking which is at once concise and detailed. There is no shortage of scholarly literature on contemporary Hollywood, but none of it lives up to the standards set by Bordwell here. No one else has this range, depth, sophistication or authority. More remarkable still, Bordwell pulls this off with remarkable lightness of touch."--Murray Smith, University of Kent
"David Bordwell is our best writer on the cinema. He is deeply informed about films, he loves them, and he writes about them with a clarity and perception that makes the prose itself a joy to read. Because he sees movies so freshly and deeply he isn't deceived by the usual categories and finds excellence and experiment in unexpected places. For him it's no simple matter of the mainstream vs. the indies. By showing, often in shot-by-shot detail, how films communicate through style as much as subject and story, his book is liberating, allowing us to see precisely what films are doing, and why. I find David Bordwell's book to be simply astonishing."--Roger Ebert
"David Bordwell applies the descriptive techniques he's brought to the study of Ozu and Dreyer to recent American narrative cinema with his usual passionate rigor. The resulting study is clear-eyed and comprehensive, easily the best book on the subject so far. Bordwell is particularly insightful about how new technologies serve both to enhance AND limit the expressive range of current movie story-telling."--Larry Gross
"Alternatingly analytical and informative, but always entertaining, David Bordwell's "The Way Hollywood Tells It" makes sense of the art and business of recent American cinema like nothing else out there. This book should be required reading for all of us!"--Mark Johnson
"There is nobody writing about film with the wisdom and insight of David Bordwell. His work makes me feel as though the creative process I know and live through writing and shooting films is being thoughtfully examined and put in a context. I recognize my journeys in his work and I learn about many other ways to journey as well. Bordwell shares and unfolds the meaningful linguistic/craft/syntactical choices all filmmakers make, from all cultures, choices besides the mere political, literary, symbolic and sexual which have been so saturated with attention. He finds the meaning in movies, instead of putting it there."--James Mangold, director of "Walk the Line"
 

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Review: The Way Hollywood Tells It: Story and Style in Modern Movies

User Review  - Haimaneltohamy - Goodreads

A must-reed to understand the craft of storytelling in Hollywood. Read full review

Review: The Way Hollywood Tells It: Story and Style in Modern Movies

User Review  - Jeremy - Goodreads

Interesting book on how many of the conventions of movie-making have been consistent over the past 100 or so years. For me, the full treatment for certain scenes in movies was the most interesting: He ... Read full review

All 5 reviews »

Selected pages

Contents

Introduction
1
A Real Story
19
A Stylish Style
115
A Hollywood Timeline 19602004
191
Notes
243
Index
273
Copyright

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About the author (2006)

David Bordwell is Jacques Ledoux Professor of Film Studies and Hilldale Professor of Humanities at the University of Wisconsin-Madison. Among his books are Figures Traced in Light: On Cinematic Staging (California, 2004), Film History: An Introduction (with Kristin Thompson, 2002), Planet Hong Kong: Popular Cinema and the Art of Entertainment (2000), and On the History of Film Style (1997).

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