Sandalwood and Carrion: Smell in Indian Religion and Culture
James McHugh offers the first comprehensive examination of the concepts and practices related to smell in pre-modern India. Drawing on a wide range of textual sources, from poetry to medical texts, he shows the significant religious and cultural role of smell in India throughout the first millennium CE. McHugh describes the arts of perfumery developed in royal courts, temples, and monasteries, which were connected to a trade in exotic aromatics. Through their transformative nature, perfumes played an important part in every aspect of Indian life from seduction to diplomacy and religion. The aesthetics of smell dictated many of the materials, practices, and ceremonies associated with India's religious culture. McHugh shows how religious discourses on the purpose of life emphasized the pleasures of the senses, including olfactory experience, as valid ends in themselves. Fragrances and stenches were analogous to certain values, aesthetic or ethical, and in a system where karmic results often had a sensory impact-where evil literally stank-the ethical and aesthetic became difficult to distinguish. Through the study of smell, McHugh strengthens our understanding of the vital connection between the theological and the physical world. Sandalwood and Carrion explores smell in pre-modern India from many perspectives, covering such topics as philosophical accounts of smell perception, odors in literature, the history of perfumery in India, the significance of sandalwood in Buddhism, and the divine offering of perfume to the gods.
What people are saying - Write a review
We haven't found any reviews in the usual places.
Other editions - View all
Abhidharmakośa according aesthetic aloeswood Amarakośa appears aromatics Arthaśāstra associated bhūtas body Brahmin Buddha Buddhist called camphor candana century chapter classification of odor color commentary common Common Era complex context cooling costus cubebs described discourses discussion earth elephants erotic Essence of Perfume examination example exotic flowers formulae fragrant Gandhasāra Gandhasara of Gangadhara Gandhavāda gemstones Gode gods guggulu Haramekhalā Ibid important incense Indian Jain kāma king later literary lotus Mahābhārata Mahāvīra Mānasollāsa Mānavadharmaśāstra medieval South Asia mentioned musk nāgas names narrative nature notes objects odor olfactory origin ox-head particular passage perfumery perfumery texts perfumes Pherū plants possibly Prakrit produced Pūrn.૽a qualities reading references religious resin S. R. Sarma saffron Sām.khya sandalwood Sanskrit texts Santalum album scholars sense of smell sources South Asian stinks substances suggests Śukra tagara texts on perfumery textual things tion traditional translation tree variety Vasubandhu Vedic verse wood