Complete Guide to Digital Color CorrectionLark Books, 2004 - 192 oldal There’s no more comprehensive and invaluable guide to the use and control of color in digital photography, and print, Web, and multimedia design. This volume brings a fresh perspective to common color problems, explaining exactly how we see color, what the differences are between human and camera perception, and how to work with a color wheel. There’s a full discussion of display issues, including monitor calibration and resolution, color palettes, and consistency across varying platforms, operating systems, and software. A skills "toolkit” provides a detailed look at both computer hardware and image-editing software, and a hands-on workshop provides lessons in adjusting skin tones, retouching and restoring archived photos, and dealing with landscapes, fashion, still lifes, and more. |
Tartalomjegyzék
why we need | 7 |
chapter | 13 |
chapter | 34 |
describing color digitally | 38 |
in the | 42 |
capturing | 50 |
getting ready to work with | 57 |
big dots and little dots | 64 |
handling highkey images | 104 |
defining LAB in the | 107 |
unusable images | 110 |
fixing a simple color cast | 116 |
creative correction | 126 |
boosting color 2 | 134 |
creative use of desaturation | 144 |
making good mono from color | 152 |
setting up | 72 |
color temperature | 74 |
color models | 96 |
working examples | 98 |
duotones | 158 |
deviceindependent color | 186 |
The Complete Guide to Digital Color Correction | |
Más kiadások - Összes megtekintése
The Complete Guide to Digital Color Correction Michael Walker,Neil Barstow Korlátozott előnézet - 2006 |
Getting Colour Right: The Complete Guide to Colour Correction Michael Walker,Neil Barstow Nincs elérhető előnézet - 2004 |
Gyakori szavak és kifejezések
adjustment layer Adobe allows applications areas Auto Options Background balance blue cast Channel CHAPTER clipping CMYK color correction color management color space contrast convert create Curves dark default detail device dialog digital cameras display editing effect example eyedropper format gamma gamut give graphics gray green highlight histogram Hue/Saturation illustration increase inkjet Input Levels it's layer Levels light limits look magenta match means midtone mixing mode monitor move neutral OK Cancel Load Options original output Output Levels photographic Photoshop picture pixels possible Preview printer produce Proof range reproduce resolution result Saturation Save scan scanner screen selection separations shadow slider Smooth standard there's tonal tones transparency usually values Window yellow