Cahiers Du Cinéma: Volume Four, 1973-1978 : History, Ideology, Cultural Struggle : an Anthology from Cahiers Du Cinéma, Nos 248-292, September 1973-September 1978
Since its foundation in 1951, the French film journal Cahiers du Cin- perhaps, the most influential and probably the most interesting film journal ever published - has been a major source of ideas and controversy within film criticism and film-making. The fourth volume in this influential series of anthologies covers the vibrant and turbulent period from 1973 to 1978, in which the editorial make-up and policy of the journal changed radically, and issues of theory, history and politics dominated critical debate.
The anthology combines essays by critics such as Pascal Bonitzer, Serge Daney and These Giraud; round-table discussions; reviews of contemporary films from Star Warsand King Kongto Padre Padroneand Jeanne Dielman; and interviews with leading theorists including Marc Ferro and Michel Foucault, presenting a rich sampler of Cahiers' provocative and indispensable contribution to debates in film and cultural politics.
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The critical function
A particular trend in French cinema
Round table on Chris Markers Le Fond de Iair
A matter of chance
Return of the same
Karl May by H
The promised land
Blood into sign
One more bear Dersu Uzala
Curdled milk Padre padrone
Milestones and us
Pierre Riviere having slaughtered my mother
Frangois Truffauts La Chambre verte
Cahiers du Cinema in the 1950s the 1960s
African Algerian analysis apparatus Arab artistic audience auteur Author's note become body Bonitzer bourgeois bourgeoisie Cahiers du Cinema Cahiers's camera characters close-up Communist crisis cultural front death Dersu desire discourse Dupont Lajoie erotic everything example fact fiction film-makers film's filmic FOUCAULT France French cinema function Giraud Godard happens Hollywood idea ideological images and sounds imaginary India Song Kafr Kassem kind King Kong Lacombe Lucien Maoist Marxist-Leninist means Michel Foucault Milestones militant movement Narboni Nazism Night Porter Numero deux Oudart Palestinian Pascal Bonitzer peasant Pierre Riviere play pleasure point of view political popular pornography position precisely problem produced question racism reality relation relationship representation represented retro scene screen sense Serge Daney Serge Toubiana sexual shot social space speak spectator story Straub talk television things Third Cinema tion Translated truth viewer voice woman words writing