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The Reader and the Critic
The Meaning of Music
Musical Procedures and the Forms They Produce
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achieved addition Aida ance Andante Angel arias Bach Bach's Barber of Seville bass beautiful Berlioz Brahms broadcast Casals cello Chapter 27 Choir Chorus clarinet Columbia Concerto Debussy's Deutsche Grammophon Don Giovanni dramatic duet early effect English Chamber Orchestra excellent performance excerpts expressive Festival Fidelio Figaro finale Fischer-Dieskau formance Fugue Handel's Haydn hear heard imported Odeon impressive incandescent inflection later listen London Symphony lovely Magic Flute melody ment minor mono Musorgsky's NBC Symphony Odyssey Oiseau-Lyre opera Otello Overture performance conducted performance of Mozart's performances of arias performances of Beethoven's Philips phrase piano playing Prelude produced Quartet Quintet recorded performances reissued Rigoletto Rococo Schnabel Schubert's Schumann score Seraphim shape singers singing slow movement solo soloists Sonata songs soprano sound statement strings style sung superb performance Symphony tempo tenor theme tion Toscanini Traviata Trio Tristan und Isolde Trovatore underground Variations Verdi's Victor Victrola violins vocal voice writing York Philharmonic