The New Listener's Companion and Record Guide |
Contents
The Reader and the Critic 36 | 3 |
The Meaning of Music | 6 |
Musical Procedures and the Forms They Produce | 12 |
Copyright | |
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achieved addition Aida ance Andante Angel arias Bach Bach's Barber of Seville bass beautiful Berlioz Brahms Casals cello Chapter 27 Choir Chorus clarinet Columbia Concerto Debussy's Deutsche Grammophon Don Giovanni dramatic duet early effect English Chamber Orchestra excellent performance excerpts expressive Festival Figaro finale Fischer-Dieskau formance Fugue Handel's Haydn hear heard Il Trovatore imported Odeon impressive incandescent inflection La Traviata later listen London Symphony lovely Magic Flute melody ment minor mono Musorgsky's Odyssey offers opera Otello Overture performance of Mozart's performances of arias performances of Beethoven's Philips phrase piano playing Prelude produced Quartet Quintet recorded performances reissued Rigoletto Rococo Rossini Schnabel Schubert's Schumann score Seraphim singers singing slow movement solo soloists Sonata songs soprano sound statement Stravinsky strings style sung superb performance Symphony Tchaikovsky's tempo tenor theme tion Toscanini Traviata Trio Tristan und Isolde Trovatore underground Variations Verdi's Victor Victrola viola violins vocal voice writing York Philharmonic