A century in crisis: modernity and tradition in the art of twentieth-century China
Guggenheim Museum, 1998 - Art - 329 pages
Between 1850 and today, China has undergone an unprecedented series of shocks and transformations. This dramatic period -- which has seen urban industrialization, conquest by foreign powers, civil wars, changing governments, and, more recently, a gradual opening to the international community -- has also marked an explosion of artistic experimentation and innovation. Spanning 150 spectacular years of artistic production, A Century in Crisis -- which accompanied a landmark exhibition at the Guggenheim Museum SoHo in early 1998 -- offers the first systematic exploration of modern and contemporary Chinese art.
Essays by leading scholars show the ways in which Chinese artists have grappled with modernity, tradition, self-definition, and the adoption and rejection of Western conventions. Sumptuous colorplates showcase a dazzling array of achievements -- including Shanghai School paintings, modern calligraphy, commercial art, 1920s and '30s woodblock prints, modern guohua (traditional ink and color paintings), socialist realist paintings, and other contemporary works.
27 pages matching Gao Jianfu in this book
Results 1-3 of 27
What people are saying - Write a review
Tradition and Modernity in
Chinas Modern Worlds
INNOVATIONS IN CHINESE PAINTING 18501950
10 other sections not shown