A Century in Crisis: Modernity and Tradition in the Art of Twentieth-century China

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Guggenheim Museum, 1998 - Architecture - 329 pages
Since 1850, China has undergone urban industrialization, conquest by foreign powers, civil wars, changing governments, and an opening to the international community. This period has also seen atristic experimentation and innovation.

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Contents

Tradition and Modernity in
2
Chinas Modern Worlds
10
INNOVATIONS IN CHINESE PAINTING 18501950
19
Copyright

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About the author (1998)

Jonathan D. Spence was born in England and received his B.A. from Cambridge University. In 1966 he received his Ph.D. from Yale University and has been a professor of Chinese history there since that time. Spence has won a variety of major fellowships and has served as visiting professor at Belfast's Queens University, Princeton University, and Beijing University. He employs a distinctive writing and historical style, weaving together various kinds of materials to fashion new forms of historical narrative. The best examples of his unique style are The Death of Woman Wang (1979) and The Memory Palace of Matteo Ricci. In his works, Spence provides a uniquely accessible vision of late imperial China. His writings have won numerous awards and prizes. The Gate of Heavenly Peace (1982) won two awards---the Los Angeles Times Book Award and the Henry D. Vursell Memorial Award of the American Academy-Institute of Arts and Letters.

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