The Picture of Dorian Gray

Front Cover
Mondial, 2010 - Fiction - 156 pages
207 Reviews
Perhaps the book that created the most general discussion and criticism at this period was "The Picture of Dorian Gray," which appeared originally in Lippincott's Magazine in July, 1890, as the complete novel for that issue... Wilde at first demurred on the ground that he had not tried his hand on a long and sustained story, but fi nally gave his consent. The story seems to have simmered in his mind for some time, though after he had once begun it, it was quickly completed. Wilde has himself said that he wrote it in a few days. --- In a preface to this story, written for a later edition in book form, Mr. Basil Ward, the artist, tells of the genesis of the story. It goes back to the year 1884, when Oscar Wilde was often in Mr. Ward's studio. One of Mr. Ward's sitters was a young man of such peculiar beauty that his friends had nicknamed him "The Radiant Youth." Each afternoon Wilde watched the work advance, enchanting everybody meanwhile with brilliant talk, until at last the portrait was fi nished and its original had gone his way - rejoicing, without doubt, to be at liberty. "What a pity," sighed Wilde, "that such a glorious creature should ever grow old!" - "Yes, it is indeed," answered Mr. Ward. "How delightful it would be if 'Dorian' could remain exactly as he is while the portrait aged and withered in his stead. I wish it might be so!" - And that was all. "I occupied myself," says Mr. Ward, "with the picture for perhaps a quarter of an hour, during which Wilde smoked refl ectively, but uttered not one word. He arose presently and sauntered to the door, merely nodding as he left the room." Jules Barbey d'Aurevilly

What people are saying - Write a review

User ratings

5 stars
4 stars
3 stars
2 stars
1 star

LibraryThing Review

User Review  - nospi - LibraryThing

Read in kindle/Audible through Whispersync/immersion reading. Fabulous one-liners interspersed in dialogue throughout the book. "Like all people who try to exhaust a subject, he exhausted his ... Read full review

LibraryThing Review

User Review  - dbsovereign - LibraryThing

Don't look at yourself too closely in the mirror or you might spot some wrinkles starting to crack through. Wilde's foray into horror is stupendous! Read full review

Other editions - View all

About the author (2010)

Flamboyant man-about-town, Oscar Wilde had a reputation that preceded him, especially in his early career. He was born to a middle-class Irish family (his father was a surgeon) and was trained as a scholarship boy at Trinity College, Dublin. He subsequently won a scholarship to Magdalen College, Oxford, where he was heavily influenced by John Ruskin and Walter Pater, whose aestheticism was taken to its radical extreme in Wilde's work. By 1879 he was already known as a wit and a dandy; soon after, in fact, he was satirized in Gilbert and Sullivan's Patience. Largely on the strength of his public persona, Wilde undertook a lecture tour to the United States in 1882, where he saw his play Vera open---unsuccessfully---in New York. His first published volume, Poems, which met with some degree of approbation, appeared at this time. In 1884 he married Constance Lloyd, the daughter of an Irish lawyer, and within two years they had two sons. During this period he wrote, among others, The Picture of Dorian Gray (1891), his only novel, which scandalized many readers and was widely denounced as immoral. Wilde simultaneously dismissed and encouraged such criticism with his statement in the preface, "There is no such thing as a moral or an immoral book. Books are well written or badly written. That is all." In 1891 Wilde published A House of Pomegranates, a collection of fantasy tales, and in 1892 gained commercial and critical success with his play, Lady Windermere's Fan He followed this comedy with A Woman of No Importance (1893), An Ideal Husband (1895), and his most famous play, The Importance of Being Earnest (1895). During this period he also wrote Salome, in French, but was unable to obtain a license for it in England. Performed in Paris in 1896, the play was translated and published in England in 1894 by Lord Alfred Douglas and was illustrated by Aubrey Beardsley. Lord Alfred was the son of the Marquess of Queensbury, who objected to his son's spending so much time with Wilde because of Wilde's flamboyant behavior and homosexual relationships. In 1895, after being publicly insulted by the marquess, Wilde brought an unsuccessful slander suit against the peer. The result of his inability to prove slander was his own trial on charges of sodomy, of which he was found guilty and sentenced to two years of hard labor. During his time in prison, he wrote a scathing rebuke to Lord Alfred, published in 1905 as De Profundis. In it he argues that his conduct was a result of his standing "in symbolic relations to the art and culture" of his time. After his release, Wilde left England for Paris, where he wrote what may be his most famous poem, The Ballad of Reading Gaol (1898), drawn from his prison experiences. Among his other notable writing is The Soul of Man under Socialism (1891), which argues for individualism and freedom of artistic expression. There has been a revived interest in Wilde's work; among the best recent volumes are Richard Ellmann's, Oscar Wilde and Regenia Gagnier's Idylls of the Marketplace , two works that vary widely in their critical assumptions and approach to Wilde but that offer rich insights into his complex character.

Bibliographic information