Polish National Cinema

Front Cover
Berghahn Books, Apr 1, 2002 - Performing Arts - 318 pages

In the years since World War II, Poland has developed one of Europe's most distinguished film cultures. However, in spite of the importance of Polish cinema this is a domain in need of systematic study.

This book is the first comprehensive study of Polish cinema from the end of the 19th century to the present. It provides not only an introduction to Polish cinema within a socio-political and economic context, but also to the complexities of East-Central European cinema and politics.

 

Contents

Polish Cinema before the Introduction of Sound
1
The Sound Period of the 1930s
23
Polish FilmsWhose Dreams?
44
The Poetics of Screen Stalinism
56
The Polish School Revisited
73
Adaptions Personal Style and Popular Cinema between 1965 and 1976
110
Camouflage and Rough Treatment
146
Landscape after Battle
176
National Memory the Holocaust and Images of the Jew in Postwar Polish Films
222
Polish Films with an American Accent
243
Afterword
259
Selected Filmography
262
Selected Bibliography
272
Index of Names
282
Index of Film TItles
292
Copyright

The Representation of Stalinism in Polish Cinema
207

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About the author (2002)

Marek Haltof is Assistant Professor in Film in the English Department at Northern Michigan University. He published Peter Weir: When Cultures Collide (1996) and three books on cinema in Polish, including Australian Cinema: On the Screen Construction of Australia (1996) and Author and Art Cinema: The Case of Paul Cox (2001). He is also the author of two novels published in Poland.

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